Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
	About Us	90,680 paintings total now Toll Free: 1-877-240-4507

Alma Tadema.org, welcome & enjoy!

Here are all the paintings of Lucas van Leyden 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
42939		A Man Aged Thirty-eight	mk170 circa 1520 Oil on oak 46.7x40.8cm
2449		Card Players	National Gallery of Art, Washington DC
85236		Card Players	between 1508(1508) and 1510(1510) Medium Oil on panel cyf
90315		Card Players	Oil on panel, 56 x 70 cm, National Gallery of Art, Washington Date 1508 - 10 cyf
96276		Card Players	1525(1525) Medium oil on panel cyf
84691		Christ Healing the Blind	Date 1531(1531) Medium Oil on canvas transferred from wood cjr
88615		Christ Healing the Blind	1531(1531) Medium Oil on canvas transferred from wood cyf
92017		Der heilige Andreas in Halbfigur	oil on oak panel. 22 X 17 cm. Karlsruhe, Staatliche Kunsthalle. Inventory number 1478. Date c. 1518 (1513-1523) cyf
88584		Der heilige Andreas in Halbfigur, vor Landschaft	Oil on oak panel. 22 x 17 cm. c. 1518 (1513-1523) cjr
73621		fortune teller	Date ca. 1508 (1508-1510) Medium Oil on panel Dimensions 24 X 30.5 cm (9.45 X 12.01 in) cyf
96034		FortuneTeller with a Fool	between 1508(1508) and 1510(1510) Medium oil on panel cyf
90306		Healing of blind man of Jericho	1531(1531) Medium Oil on panel transferred to canvas cyf
32384		ipping of the Golden Calf	wood
33537		Lot and his Daughters	mk86 v.1520 Oil on wood 48x34cm Paris,Musee National du Louvre
21388		Lot and his Daughters (mk08)	c.1520 Oil on wood, 48x34cm Paris,Musee National du Louvre
96152		Madonna and Child or Virgin and Child with Angels	circa 1520(1520) Medium oil on panel Dimensions 74 X 44 cm cyf
2450		Madonna and Child with Mary Magdalene and a Donor	Pinakothek, Munich
91470		Portrat des Jakob Florisz van Montfort	1531(1531) Medium oil on panel Dimensions Deutsch: 89 x 32,5 cm cjr
86491		Preaching in the Church	Date 1530(1530) Medium Oil on wood Dimensions Height: 133 cm (52.4 in). Width: 97 cm (38.2 in). cjr
75156		Self portrait	Date Deutsch: 1. Drittel 16. Jh. English: 1st third of 16th century Medium Oil on panel cyf
97765		Self portrait	1509(1509) Medium oil on oak cyf
73474		Self-portrait	1st third of 16th century Oil on panel cjr
86285		St Jerome Penitent	1515(1515) and 1516(1516) Medium Oil on oak panel cyf
23358		The Card Players (nn03)	c 1520 Oil on panel 34 x 48 cm 14 x 18 in Wilton House Salisbury
40344		The Engagement	mk156 1527 Oil on panel 30x32cm
55999		the fortune teller	mk247 c.1508 to 10,oil on panel,9x12 in,24x30.5 cm,louvre,paris,france
20291		The Fortune Teller (mk05)	Wood 9 1/2 x 12 1/4''(24 x 31 cm)Given in 1962
92634		The fortune-teller.	Date c. 1508 (1508-1510) Medium oil on panel Dimensions 24 X 30.5 cm (9.4 X 12 in) TTD
40985		THe Healing of the Blind man of Jericho	mk156 Triptych 1531 Oil on canvas transferred from panel
89143		The Temptation of St Anthony	1530(1530) Medium oil on wood cyf
97616		The Temptation of St Anthony	circa 1530(1530) Medium oil on panel cyf
96819		Thyssen	Oil on panel - 1525 cyf
93217		Triptych with the Adoration of the Golden Calf	c. 1530(1530) (1525-1533) Medium oil on oak panel Dimensions 92.5 x 127 cm (36.4 x 50 in) cjr
83557		Virgin and Child with Angels	Date ca. 1520(1520) Medium Oil on wood Dimensions Height: 74 cm (29.1 in). Width: 44 cm (17.3 in). cjr
90586		Virgin and Child with Mary Magdalen and a donor	1522(1522) Medium oil on oak panel cyf
86629		Virgin and Child with Mary Magdalen and a donor.	Date 1522(1522) Medium Oil on oak panel Dimensions Height: 51 cm (20.1 in). Width: 68 cm (26.8 in). cjr

Lucas van Leyden

1489-1533 Dutch Lucas van Leyden Galleries Lucas van Leyden (Leiden, 1494 ?C August 8, 1533 in Leiden), also named either Lucas Hugensz or Lucas Jacobsz, was a Dutch engraver and painter, born and mainly active in Leiden, who was among the first Dutch exponents of genre painting and is generally regarded as one of the finest engravers in the history of art. He was the pupil of his father, from whose hand no works are known, and of Cornelis Engelbrechtsz, but both of these were painters whereas Lucas himself was principally an engraver. Where he learnt engraving is unknown, but he was highly skilled in that art at a very early age: the earliest known print by him (Mohammed and the Murdered Monk) dates from 1508, when he was perhaps only 14, yet reveals no trace of immaturity in inspiration or technique. Lot and his daughters (ca. 1509)In 1514 he entered the Painters' Guild at Leiden. He seems to have travelled a certain amount, and visits are recorded to Antwerp in 1521, the year of D??rer's Netherlandish journey, and to Middelburg in 1527, when he met Jan Mabuse. An unbroken series of dated engravings makes it possible to follow his career as a print-maker and to date many of his paintings, but no clear pattern of stylistic development emerges. D??rer was the single greatest influence on him, but Lucas was less intellectual in his approach, tending to concentrate on the anecdotal features of the subject and to take delight in caricatures and genre motifs. Carel van Mander characterizes Lucas as a pleasure-loving dilettante, who sometimes worked in bed, but he left a large oeuvre, in spite of his fairly early death, and must have been a prodigious worker. Lucas had a great reputation in his day (Vasari even rated him above D??rer) and is universally regarded as one of the greatest figures in the history of graphic art (he made etchings and woodcuts as well as engravings and was a prolific draughtsman). His status as a painter is less elevated, but he was undoubtedly one of the outstanding Netherlandish painters of his period. He was a pioneer of the Netherlandish genre tradition, as witness his Chess Players (Gemäldegalerie, Berlin) which actually represents a variant game called 'courier' - and his Card Players (National Gallery of Art, Washington), while his celebrated Last Judgement triptych (Lakenhal Museum, Leiden, 1526-27) shows the heights to which he could rise as a religious painter. It eloquently displays his vivid imaginative powers, his marvellous skill as a colourist and his deft and fluid brushwork.

All the Alma Tadema's Oil Paintings

Supported by oil paintings and picture frames